So, I started looking around at the other posts on this German blog and found a bossa nova ditty by some lady named Sophia Loren. But Andy Tielman is still at it, bless his crazy ass solo soul. It's exhausting.įrom all appearances, the Tielman Brothers, as a band, crapped out some years ago. This sucker is almost six minutes long, and is a study in complete solo saturation. You might expect a song of that vintage to be in the three minute range. It's almost comical how, just when you think the song might end, another crazy solo appears. Sure, at the time T-Bone Walker had already played behind his head, but all the other oddball solos? Keep in mind that this is seven years before Hendrix arrived. Behind the head solos, over the head solos, solos with the drummer hitting the strings, solos played with feet, and, what must be his specialty, the tour de force, playing behind his back while standing on the stand-up bass. Though in most parts the solos are standard licks (rockabilly type, with a touch of maybe Chet Atkins and/or Les Paul), it's the performance that gets me. In one song, hotshot Andy plays half a dozen solos, and few are played in a normal fashion. Watch the video below, and take into consideration that this was 1960. The Tielmans were showmen, complete and total showmen. It's a Slits live set, from the Primavera Sound Festival, in Barcelona, from earlier this year. (Links are below.) I'm also including a repost of a link from a while back, in case you missed it. (Stream the whole show at your hoedown tonight!) There's other posts with a Lee Perry set and interview, a King Jammy sound system set from '87, and a interview with Dillinger, and tons more. It's an excellent set, with recent sounds from Jamaica and a few of the new Slits songs, and a mash up of John Lennon's vocal from "A Day In the Life" with a rhythm that, if you're at all into reggae, you'll recognize.
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And there's some more recent stuff, including an Ari Up DJing gig, from February, just months before her death. Some of the sound files are a teeny bit warbly in parts (because they were ripped from streaming webcasts, from 1999-2001), but it's very minor. There's tapes of sound systems, interviews, radio shows, and all sorts of cool shit. It's a site called Streamola Archive, and it has tons of reggae-centric stuff on it, streaming and in mp3 format. In looking for an image for this post, I ran into an instant book mark. (Note: get the Escort cut now, because it was posted with a note that said it would only be available for a few days, and that was back in November.)
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So, the bass line has come full circle, from dance floor to sound system, and back to the dance floor. It's a recent release, but you could swear that it was one of those songs that you never heard back in the late seventies (because, of course, disco sucked, right?). Today, while browsing American Athlete (an excellent blog with tons of groove heavy international music), I ran into a post about Escort's " Cocaine Blues", which is as close to a disco type cover of Dillinger's "Cocaine in My Brain" as you can get it. This may not be an easy album to get into, and it certainly demands real attention - but if you're willing to take an hour and 15 minutes to tune out everything else going on around you Rocket To Nebula will be sure to satisfy.Last August I posted a short thing about Dillinger's " Cocaine in My Brain" and how it borrowed the bass line from People's Choice's " Do It Any Way You Wanna", a song he toasted over prior to recording his signature song.
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The instrumentals on On Rocket To Nebula are very low-key, offering dream-like backdrops to Killah Priest lyrics, which makes listening to this album something akin to a meditative experience. Musically, this album differs from his best works though - there are no bass-heavy beats to be found here, in fact the whole album is practically drumless. On Rocket To Nebula we get the same kind of stream-of-consciousness type lyricism we know from Killah Priest, filled with his characteristic metaphysical musings and slick subliminals. Heavy Mental (1998), Elizabeth (2009), The Psychic World of Walter Reed (2013), and Planet Of The Gods (2015) are the standouts in Killah Priest's catalog, and Rocket To Nebula rivals these titles in terms of quality - even if it's even more of an acquired taste than most of his other releases. Artists like Kool Keith, Tech N9Ne, and K-Rino may have more releases on their names, but it's not easy to keep up with Killah Priest s release schedule either, taking into account all his solo-projects, group and collaboration efforts, and his endless list of feature appearances. INFO: Wu-Tang Clan affiliate and Sunz Of Man member Killah Priest is one of the most prolific artists in Hip Hop.